Creating Emotion: Through Camera Movements

List of angles, shots and camera movements I will try to incorporate in my documentary:

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Eye level – camera points straight ahead. Intention is to be objective.
Low angle – camera points up from a lower angle. It makes the subject dominating.
High angle – camera points down from a higher angle. It makes the subject diminutive. A variation: Top angle or bird’s eye view – special case when you want to show the topography of a location. Aerial shots fall under this.
Dutch – tilted angle. It draws attention to the fact it’s not a balanced frame. Something is literally off kilter.
Over the shoulder (OTS) – not strictly an angle, but it’s a specialized shot that deserves its own place. Confrontational by nature.

Close up – facial features and expression is more important than anything else. Variation: Extreme close up – you probably want to chop something off for an even closer look.
Long shot – When you want to add action and location along with the subject. Variation: Extreme long shot – when the location is more important than the character at that moment.
Medium shot or Mid shot – half of a person, roughly, where body language is important while eliminating distracting elements of the background.
Single, two shot, three shot. etc. – Number of people in frame decide this. You can combine this with a CU, MS or LS.
POV – as if the audience were the subject.

360 degree – showcase the subject by moving around it.
Zoom – when you want to get closer or further away without making an emotional statement.
Pan and tilt – when you want to observe the space from a single vantage point, follow the subject so you feel like you’re a spectator observing. The movement happens on a pivot.
Tracking shot, crane, dolly – when you want to follow the subject and be more involved with the space and location. The audience is drawn into the world.
Random – camera shake or motion to provide energy.